About
I make paintings that document the collapse and revision of internal states.
Georg Óskar (b. 1985, Iceland) is a painter who lives and works in Oslo, Norway.
My practice is characterized by an inside-out, process-driven approach that prioritizes psychological presence and material honesty. The painting process is one in which internal psychological states, rather than premeditated composition, determine form. Paintings develop through a visible accumulation, rupture, and revision of material, leaving traces of both decision and collapse evident on the surface.
In my work, faces and figures emerge not as fixed representations but as raw moments of psychological presence. Paint functions as both a material and a register, conveying tension, vulnerability, and duration. Rather than resolving images toward clarity, I allow instability and ambiguity to remain active within the work.
My practice is grounded in sustained engagement with painting as a physical and temporal process. Surfaces are built slowly, resisting narrative closure and rewarding prolonged looking rather than immediate recognition. My work privileges emotional depth and material honesty over stylistic coherence or spectacle.
Situated within a lineage of instinctive, materially driven painting, my work remains rooted in lived experience rather than historical quotation. My paintings operate as sites of presence — attentive to inner states, time, and the limits of control.
MATERIAL RESEARCH
The pursuit of psychological presence in paint is, ultimately, a problem of material control. The more precisely I can manage consistency, pigment load, and drying behaviour, the more directly the psychological state can transfer into the surface — without the medium correcting or softening it.
That preoccupation led me to build Pigmnt, a tool for calculating oil stick formulas with precise wax-to-oil ratios across 200+ pigments. It started as a studio notebook problem I kept running into. Now other painters use it too.
A painter who understands their material at that level is not decorating a surface. They are engineering a record.
Exhibition Calendar
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Education
- 2016 — MFA, Bergen Academy of Art and Design, Bergen, Norway
- 2009 — Akureyri School of Visual Art, Akureyri, Iceland
- 2008 — Lahti Polytechnic of Fine Arts, Lahti, Finland
Forthcoming
- 2026 — Vacant Edition, Oslo, Norway
- 2026 — Listaval, Reykjavik, Iceland
- 2026 — BGE, Stavanger, Norway
- 2026 — Lea Bridge Gallery, London, UK
Selected Solo Exhibitions
- 2025 — The Color of Fog, Richard Koh Fine Arts, Singapore
- 2025 — Gallery Port, Reykjavik, Iceland
- 2024 — Akureyri Art Museum, Akureyri, Iceland
- 2024 — Kunstnerforbundet, Oslo, Norway
- 2024 — Good Night Moon, JD Malat Gallery, London, UK
- 2023 — BGE Contemporary, Stavanger, Norway
- 2022 — L21 Gallery, Palma de Mallorca, Spain
- 2021 — Pain Thing, JD Malat Gallery, London, UK
- 2019 — Richard Koh Fine Arts, Kuala Lumpur, Malaysia
- 2018 — Galerie 95, Bienne, Switzerland
- 2017 — Akureyri Art Museum, Akureyri, Iceland
Selected Group Exhibitions
- 2023 — Summer Exhibition, JD Malat Gallery, London, UK
- 2022 — Contemporary Chaos, Fondazione Made in Cloister, Naples, Italy
- 2021 — Remaster, Tou Ølhallene, Stavanger, Norway
- 2020 — Migrant Bird Space, Berlin, Germany
- 2018 — Vestfossen Kunstlaboratorium, Vestfossen, Norway
- 2018 — Dada Post, Berlin, Germany
- 2017 — Accessing the Memory I, Project Space, Beijing, China
Art Fairs
- 2025 — Art SG, Singapore (Richard Koh Fine Arts)
- 2025 — Art Basel Hong Kong (Richard Koh Fine Arts)
- 2022 — Untitled Art, Miami, USA (JD Malat Gallery)
- 2021 — KunstRAI, Amsterdam, Netherlands (Galerie with Tsjalling)
Publications
- 2020 — Your Dream is Dead, Kerber Verlag, Germany
Grants and Awards
- 2025 — Billedkunstnernes Vederlagsfond, Norway
- 2024 — Icelandic Working Grant, Iceland
- 2021 — Billedkunstnernes Vederlagsfond, Norway
- 2020 — Icelandic Visual Arts Fund
- 2016 — Arts Council Norway, Diversestipend (Newly Graduated Artists)