today iam a angel80 x 60 cm, oil on canvas

PAINTER / OSLO

Georg Óskar

Paintings built through adding, removing, compressing, and exposing.

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SELECTED WORKS

Selected paintings

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kaktus

120 x 80 cm

Elífarblóm : Eternal Flower

200 x 200 cm, oil on canvas, 2026

Entry 01

195 x 170 cm, oil on canvas, 2026

The Weight of Everything

80 x 100 cm, oil on canvas, 2026

Walking Home

200 x 200 cm, oil on canvas, 2026

Notes from the Lonely Particle

150 x 175 cm, oil on canvas, 2025

The end in reverse

74 x 90 cm, oil, beeswax on canvas, 2026

Another Master Piece about being late again

215 x 195 cm, oil, acrylic and spray on canvas

Memory Fragment 05

145 x 180 cm, oil on canvas, 2026

Mild Violence

45 x 40 cm, oil on linen, 2026

Portrait of the Sky

40 x 45 cm, oil and spray on canvas, 2026

Silent Death

100 x 100 cm, oil on canvas, 2025

höfuðborg norðursins

360 x 200 cm

íslenskt Inniveður : Icelandic inside weather

175 x 145 cm, oil on canvas, 2026

deathmetal

180 x 170 cm, oil on canvas, 2024

Untitled

Details forthcoming

PREVIEW 02

Selected Exhibitions

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PRESS / INTERVIEWS

Selected press

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2025

Five Years Old Me, 34 Years Later, Counter Arts

“The canvas invites you to read and decode what’s on it.”

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2024

It’s No Joke Being Me, Icelandic Art Center

“In this exhibition he focuses on projecting memories from his upbringing in Akureyri.”

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2024

New Exhibition by Georg Óskar at JD Malat Gallery, 300 Magazine

“Good Night Moon consists of depictions of daily life situations de-familiarized through the semi-translucent hypnagogic lens.”

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2024

Georg Óskar: Good Night Moon, Art Plugged

“Good Night Moon offers a painted conversation regarding the different perspectives of fatherhood.”

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2022

5 Emerging Artists to Watch, Artnet

“Georg Óskar’s paintings are wry, yet genuine observations of daily life and the people and landscapes he encounters.”

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2022

Georg Óskar, Museum of Non-Visible Art

“Fundamentally, his practice is regarded as a visual diary of his personal observations of the mundane, specifically in nature and people.”

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2022

Interview with Georg Óskar, C-A-K-E

“Within the subdued shades of Georg’s artworks is a predominant subtext.”

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2021

Interview with Georg Óskar, Les Nouveaux Riches

“I try to keep things honest and simple around me as the world we live in is pretty much the opposite to that.”

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2020

Plenty of Nothing, ART at Berlin

“The expressive figurative paintings by Georg Óskar deal with people in his immediate vicinity and mythical figures of subconscious worlds.”

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2019

Georg Óskar at Abject Gallery, NARC. Magazine

“There’s something of the everyday touched with magic.”

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2019

Icelandic Painter Georg Óskar’s First UK Solo Exhibition, Pressat

“My work could be described as a visual diary.”

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2018

Notes from the Underground, CENTRED

“An unmistakable and overarching element of all of Óskar’s work is his fiendish humour that turns up everywhere.”

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New paintings, process notes, and updates from the studio.

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WHAT THE SURFACE HOLDS

Each painting is built through a sequence of decisions: adding, removing, compressing, exposing.

What remains is not an image — but a record of what the material has been through.

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NEWS

I AM MORE TIRED THAN MY CAT

noen ganger feirer man feil

8 grafiske verk i storformat, grillfest i nydalen, god gass.

The exhibition will, after Oslo, travel and be shown in Reykjavik, Iceland

The exhibition/installation will consist of 8 large scale artworks (4 diptychs) made of printed digital collages, oil pastels, coloured epoxy, tees, printed concrete and original drawings. The aim is to incorporate these in a space that will function as a full scale installation, a spatial meeting between old and new.

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